Imagery

March 3, 2008 |  Tagged , , , , |

Rationale:

The magic of writing comes when an author and an audience harmonize–the author anticipates what the reader needs, and the reader feels like the author “gets” them. Mastery of this art means we can commune(icate) over centuries, across cultures and past other chasms that would divide us.

It’s not so unusual to feel this in conversation (in dialogue) because there are so many more channels besides our words carrying meaning. If we notice the discussion going awry, we can change our posture; the tone, pace, pitch & volume of our words; or our facial, hand & eye gestures. Let’s face it, the interaction changes the very words we choose to use & when we use them. None of this seems to be available to the writer…at first.

Students need to see that meaning can be borne by many channels in writing, just as it is in talking. All sorts of figurative language, sound devices, connotations, forms/genre, sentence/paragraph construction and organization can be manipulated. Which grammatical rules are broken or preserved, the layout & media, and images depicted by the words all subtly nudge and coax the reader wherever the author wishes to go.


Objective: Know how imagery can affect the reader & influence meaning.

Warm-up:

Write a quick sketch-in-words about your room. Make sure to describe it well enough that we get a sense of who you are.

Mini Lesson:

Discuss a couple of examples from student warm-ups–focus on a couple of meaningful depictions.

Explain that the following song is somewhat vague, in a literal sense–that much of what is meant could be up to individual interpretation.

Eventhough it’s literal meaning might remain elusive, it’s use of imagery is quite vivid.

Pass-out the lyrics (suggested), and ask them to focus on the guiding questions:

  1. What images did you find interesting?
  2. What do you think the author might achieve by using these images?

Play “Cast a Hook in Me”Cast a Hook in Me by Laura Veirs.

Other songs that might work well:

  1. “Strange Fruit” especially performed by Billie Holiday
  2. “Maybe Sparrow” by Neko Case
  3. “Feeling Good” by Nina Simone

Application: (according to your classroom/curricular needs)


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1 Comment so far

  1.    ryanroot on March 4, 2008 1:06 pm

    Breathe life to the street from the mouth
    Those ruby red lips have much to give
    Pull life from the land with your capable hands
    Those life loving beautiful broken hands
    Oh, I’ll stand with you and marvel
    At the cosmos pink and bright
    All the pages flipping backwards
    Til time is gone and wrong is right

    Rivers running up the hills and to the sky and down to the sea
    Where a merman with a twinkle casts a hook in me

    Sing me a salty blue song, I’ll be gone
    With watery cheeks down flowered lanes
    Tattered sails on a ramshakle ship, I’ll go pale
    Staring straight in the face looming tempest waves
    Otherwise I’ll wither and die here
    On this reach of rubble rambling
    With two years filled up with sand, dear
    In a broken daze I’ll be scrambling

    Like rivers running up the hills and to the sky and down to the sea
    Where a merman with a twinkle casts a hook in me

    Summer sky falling into the sea, taking part of me
    See the bones on the sand in the light
    All the heards of the sea rushing by, pay no mind
    To the dancing reflections gone wild
    And at night a fractured star fell
    And pierced right through the thick of me
    I cried out in pain and joy, yes
    I’m not dead, not numb, not withering

    Like a falling leaf who keeps her green, I’m turning bright in the sea
    Where a merman with a twinkle casts a hook in me

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