Objectives:
Notice how an author uses hints to influence an audience by:

manipulating tone via word choice
using “negative indicators”

Understand the value in making predictions:

monitoring comprehension
making inferences

Warm-up:
Look at this famous optical illusion and explain how artists can use negative space to make meaning.

Mini Lesson:
Talk about what the students thought about the optical illusion.
Sometimes what is missing or left [...]

Setting

March 5, 2008 | Leave a Comment

Objectives:

Know what setting is
Understand how setting is communicated through context clues

Warm-up:
In your learning log, paraphrase the following definition:
(Holman, C. Hugh, and William Harmon. “Setting.” A Handbook to Literature. 5th ed. 1 vols. New York: Macmillan, 1986.)
The physical, and sometimes spiritual, background against which the action of a narrative takes place. The [...]

Dialect

March 4, 2008 | Leave a Comment

Objectives:

Know what dialect is
Understand how dialect creates effects mood

Warm-up:
Pretend each person in the following situations asks you how you are feeling. Write a sentence or two, appropriate for the situation, answering the question.

Your at a black-tie ball, and a waiter politely asks…
Your at a concert, and that person you’ve noticed all night finally comes over [...]

Onomatopoeia

March 4, 2008 | Leave a Comment

Objectives:

Know what onomatopoeia is.
Understand how “sound-words” can convey meaning that strictly denotative words can’t.

Warm-up:
Describe a situation or a time when words could not express how you really felt, for example when something amazing or devastating happened, or when you felt uncomfortable or “on the spot.” What kinds of words/sounds came out of your mouth by [...]

Imagery

March 3, 2008 | 1 Comment

Rationale:
The magic of writing comes when an author and an audience harmonize–the author anticipates what the reader needs, and the reader feels like the author “gets” them. Mastery of this art means we can commune(icate) over centuries, across cultures and past other chasms that would divide us.
It’s not so unusual to feel this in conversation [...]

Sometimes students have a hard time distinguishing the speaker (particularly of a poem) from the author. The fact that authors pick specific speakers for their work is an important literary technique to develop meaning; not only does it lend subtext via the point of view, but often satire and other techniques are predicated upon [...]

*Note: All three of these lessons could be done separately (to keep them as “mini” as possible). This lesson covers three days; the first day focuses on the first song in the series & “Folk Tale,” where the kids’ application usually involves a quick write reflecting the elements of the genre study. The next day [...]

Objective (really one objective written from two different perspectives):

Understand how authors IMPLY meaning though ALLUSION
Know how to INFER meaning by investigating references

Warm-up

Read the following excerpt from the Worsley OnLine school project

An allusion is a literary device that stimulates ideas, associations, and extra information in the reader’s mind with only a word or two. [...]

*Note to teacher:

“Fluency” is a term that seems confused in education…especially in writing instruction.
I’ve heard teachers talk about “fluency” as being the ease to which a student can put words and sentences down on the page. I contend that this is not fluency, but automaticity or expertise.
Fluency (for the purposes of this lesson) is [...]

Objectives:

Students know that stream of consciousness as an organizational method of writing
Students understand the essential role of “Gestalt” in stream of consciousness

Warm-up:

Paraphrase the following definition of “Stream of Consciousness” from my old college text

Mini-Lesson:

Share paraphrases
From what you’ve heard, what can be the problem with reading a selection employing Stream of Consciousness

randomness
getting lost
boredom

Explain the essential [...]